The form here is also a puzzle box, making me use up all eight of my form abbreviations, not to mention the chorus variation and verse variations. So that’s actually 10 distinct sections, people! #Winning.
Let’s try a different strategy. I said you should tune the B string a major third above G, but you could just as easily tune the B string a fifth plus an octave above the low E string. So let’s go ahead and multiply 1 Hz by 3/2, and then double it, which gives you a B at 3 Hz. Now the B string sounds terrific against the low E at 1 Hz and the high E at 4 Hz.