As social media continues to create opportunities to interact directly with fans, it is important to be proactive on each of your channels to make sure you’re aggregating every potential listener. After all, you don’t want to run the risk of falling out of your new followers’ memory in between visits to their city.
While the major scale is ubiquitous in contemporary western music, don’t let yourself feel too much pressure to master it right away. It’s a complex and nuanced scale like the rest of the white-key scales, and it will become more intuitive the more the time you spend composing with it.
The main takeaway here is that you don’t have to follow a typical form if you don’t want to! There’s so much great through-composed music, and sometimes, it can be really freeing to embrace this kind of writing.
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At the moment, no. We plan on buying our own press in order to produce short runs of records for artists and labels with a smaller community or that simply want to produce very limited editions. But currently, our aim is not to manufacture records but rather to offer services to guide and support labels and artists in their production process. We outsource everything, and we’re working on developing our networks of partners in order to be able to propose the most appropriate partner for each project.
Born in Cambridge, England, Judith Weir’s musical path has been a very British one. Having studied with Sir John Taverner at an early age and later at King’s College Cambridge, Weir’s music proudly takes inspiration from British medieval history and the traditional folk arts of her parents’ homeland of Scotland. Another star-studded member of this list, Weir won an Ivor Novello Award in 2015 and a year earlier was appointed the first female Master of the Queen’s Music, a position which she currently holds for ten years, succeeding Sir Peter Maxwell Davis. True to her traditional roots and interests, Weir’s music has strong roots in British choral music, yet her output also includes eight operas, many orchestral works, chamber pieces, and solo instrumental pieces. If you’re after something modern and yet deeply rooted in tradition, I highly recommend the work of Dame Judith Weir.
Tim: Taylor has created some really impressive work this session! Both his technical and creative understanding of his process have exponentially increased over the two sessions we’ve had together. I look forward to the next one!
It also had bass and treble controls that provided an EQ for the effect. You could also take inputs from multiple sources (mic, instrument) and a mixer, all easily accessible from the front panel. Roland had the foresight to design something that was meant to be played and interacted with. They didn’t just see this as a tape delay with a wet/dry knob, they saw the potential this had to help creative people articulate the music they heard in their head.
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Surprising! There is absolutely nothing sexy about the way that people perform the Bach chaconne. Alex Ross goes on to detail the ways that composers like Bach combine the groove of repetitive dance forms with the descending bass lines from laments to make a romantic form of sadness.
Kakashi is another example of a great record that went into obscurity after its first pressing only to be dug out and rereleased by Better Days and Jet Set Records. Shimizu, a saxophonist and composer, worked with all kinds of musicians and collaborators, including Sakamoto and even artist Nam-June Paik. This record is deeply hypnotic and visits all kinds of soundscapes throughout, always with the saxophone placed at the center of attention.
When you establish a color scheme strongly, it becomes even easier to then subvert it and supplant a freshness into your look. White’s video for his solo song “Freedom at 21” exemplifies this perfectly. Here, he puts a ton of emphasis on the neon green of his sports car and the bright pink of the policewoman’s lipstick; the colors feel as though they’re going to jump off the screen at any moment.
Insecurity comes from a lack of faith in your own ability. Faith boosters include hard work and experience. Things that swing murderous blows at your faith include laziness, and trying to be someone that you’re not. You need to put in the work, and you need to find your own unique “edge.” Instead, try telling yourself: “Practice, practice, practice!” and that, “No, you do not sound like Sia, and that’s okay.”