It’s a great time to be a musician! With all the tools available these days, there’s a ton of ways to publicize and sell music online. Here’s just a few.
Course: The Art of Hip-Hop Production
Ethan Hein is a Doctoral Fellow in Music Education at New York University. He teaches music technology, production and education at NYU and Montclair State University. With the NYU Music Experience Design Lab, Ethan has taken a leadership role in the creation of new technologies for learning and expression, most notably the Groove Pizza. He is the instructor of the free Soundfly course series called Theory for Producers. He maintains a widely-followed and influential blog, and has written for various publications, including Slate, Quartz, and NewMusicBox.
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Instructed by multi-instrumentalist, engineer, and educator Will Marshall, this mentored online course will also help you develop workflow strategies and time (and space) management skills so you’re not wasting valuable time and resources working in your home studio.
Pre- and post-choruses were a little less aggressive this year, even while variations on these chorus-abutting sections saw an increase. Interestingly, only “The Middle” dispensed with any intro material this year, and only Eminem’s “Killshot” got into the Top 5 without any chorus or refrain material, but I mean, he did say right at the start of the song that he wasn’t gonna repeat himself, so there you have it. (And yes, I said “chorus-abutting sections” back there, and yes, I had Morgan Freeman’s voice in my head when I said it … “chorus-abutting sections.“)
A further fragmentation of the material brings us to (d.). This rhythmic cell is then chopped into (d1.) and (d2.), which reinforces the sense of urgency. All this material is also subject to octave displacement and expansion of registers (0:59 onwards): From a low A3, the fragments are interspersed with notes in the upper octaves (A4, A5). The note A6 is presented as an interval of an octave (A5 and A6) with a leap in register (1:31).
If you want your music to touch your audience’s sense of nostalgia, you’ll need to know who your audience is, what they grew up on, and what kinds of sounds bring them comfort and joy. Huh… I guess it isn’t so far off from what Hans Zimmer was talking about after all!
Explore how common music theory is used in pop songs like “Superstition,” “Get Ur Freak On,” “Teenage Dream,” and many more and how you can use the same basic theoretical concepts to add color and complexity to your songs with our free Theory for Producers series.
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+ Learn the ins and outs of pro songwriting with Soundfly’s variety of mentored online courses, such as The New Songwriter’s Workshop, Songwriting for Producers, and Unlocking the Emotional Power of Chords.
Learn more about the new course and sign up here. And remember, since it’s a Mainstage course, you’ll have the full support and guided coaching of a Soundfly Mentor along your journey. Here’s a closer look at how this online mentored course experience will unfold from week to week over the full six weeks of the course.
Set up as a museum and artist-in-residence program inside a former three-story thrift store, Elsewhere is an incredible opportunity to collaborate with other residents and make use of a ton of random objects and locations. Artists spend one month working and residing on-site, creating projects that activate the living museum. Artists are asked to produce work that is highly specific to the building itself and make use of the unique environment, history, and surrounding neighborhoods. Perhaps the coolest part is that all objects and art remain a part of the museum long after your residency is over, making way for future artists to continue to transform it, and giving you the opportunity to be a part of a permanent collection.
Looking to infuse your guitar playing with the whining, whimpering and screaming tones of your blues heroes? Here’s a tonal menagerie of pedals to help!
We have George Frideric Handel to thank for the next example, in a melody that would later be adapted as the holiday standard, “Joy to the World.” The minor second interval here appears with the lyrics “joy” and “to” at 0:04 in the version below. Easy enough!